REPERTOAR OSMOG MEĐUNARODNOG POZORIŠNOG FESTIVALA „SLAVIJA 2009“

 9. mart - OKOLO THEATRE NEAR THE STANISLAVSKY HOUSE,
Moscow, Russian Federation
N.V.Gogol: „THE GAMBLERS“

10. mart - „SLAVIJA“ THEATRE,
Belgrade, Serbia
Branislav Nušić: „IN POWER“

11. mart - SARTR,
Saraievo, Bosnia and Herzegovina
Miodrag Žalica: „THE EMBRACE“

12. mart - BOSNIA AND HERZEGOVINA NATIONAL THEATRE, Saraievo, Bosnia and Herzegovina
Dubravko Jelačić Bužimski: „THE MIDNIGHT GAME“

13. mart - ŠABAC THEATRE,
Šabac, Serbia
Zoran Božović: „THE QUEEN OF LAUGHTER“        

14. mart - EPILOGUE THEATRE, Zagreb and
CRYSTAL CUBE OF BRIGHTNESS TOWN THEATRE, Sisak, Croatia
David Farao: „THE GUEST“

15. mart - YOUTH THEATRE „NIKOLAI BINEV“,
Sofia, Bulgaria
Frank Vedekind: „THE DEATH AND THE DEVIL“

16. mart - NOTTARA THEATRE,
Bucharest, Romania
A. P. Chekhov: „PLATONOV“

17. mart - DRAMA THEATRE SKOPJE,
Skopje, Macedonia
Edward Albee: „THE GOAT: OR, WHO IS SYLVIA?“

In his dramatic script, “Midnight Game”, Jelacic-Buzimski, in typical post-modern story-telling fashion, plays with what has become known as ‘theatre in theatre’. As two actors prepare for the premiere, they go to their last audition, which starts off as a theatrical actors’ game and grows into an intimate game between the two of them. What begins as a tale about Sally and the poet Vidric, gently transitions into a story about Maria and Jakov, endlessly unhappy actors, chronically unsatisfied with both their professional and personal lives. The flirtatious game between Vidric and Sally begins to draw parallels in the real lives of Maria and Jakov who, as they pass from act to act, come to see their own hidden emotions, turning that which was “fiction” into their “reality”.

Naida Lindov